Type | Valeur |
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Titre | The Circle of Ceridwen Saga: The Truth About Lady Godiva |
https://octavia.net/ |
Uncovering Godiva NO other early Englishwoman has been remembered as long, or as provocatively, as Lady Godiva. The name instantly conjures an image of a woman on horseback, clad only in her hair. Whether depicted in a 15th century print or gracing a modern chocolate box, Godiva lives – and rides – on in our imaginations. Godiva is the latinized form of the Old English name Godgyfu or Godgifu (literally, "God’s gift" or "good gift"). Godgyfu was an 11th century Anglo-Saxon aristocrat whose life spanned one of the most tumultuous periods in early English history. Despite her illustrious husband, renowned piety, and religious benefactions, without the tantalizing legend of her ride through the Midlands town of Coventry she would likely be completely forgotten. What is known of Godgyfu is found in the chronicles of various religious foundations, mentions of her or her husband in charters, and the post-Conquest compilation known as the Domesday Book. The first positive record of her is in 1035, when she was already married to Leofric, Earl of Mercia. Her birth date is unknown. Similarly, the date of her ride through Coventry cannot be known, possibly it was linked to the dedication of the Priory she and Leofric built there in 1043. Here I must also acknowledge that despite records dating to the late 12th century concerning her ride, there are some modern scholars who doubt that it ever took place. I am persuaded that it did. To return to fact: Like other Anglo-Saxon women of her class, Godgyfu owned property in her own right, both given to her by her parents and acquired through other means – gifts from her husband, inheritance from relatives, and purchases and exchanges fromindividuals and religious foundations. The modest farming village of Coventry was one of them. The Domesday Book lists it, twenty years after her death, as having sixty-nine families. It is not known why Godgyfu and Leofric turned their attention to Coventry, which after all, was a small and seemingly unremarkable farming community. As early as 1024 Bishop Æthelnoth (later to be Archbishop of Canterbury) gave to Leofric a priceless relic, the arm of St. Augustine of Hippo, which had been purchased by the bishop in Rome and which he apparently indicated was intended – we do not know why – for Coventry. The response of Leofric and Godgyfu was to create a suitable sanctuary to house this exceptional relic. The lavishly decorated Benedictine Priory of St.Mary, St.Osburgh, and All Saints was dedicated by Archbishop of Canterbury Eadsige in 1043, on propertyowned by Godgyfu. Within was a shrine to St. Osburgh (a local holy woman who had earlier founded a nunnery in Coventry) which held her head encased in copper and gold. St. Augustine’s arm took its place in a special shrine, and Godgyfu and Leofric also presented to the new Priory many ornaments of gold, silver and precious stones, so that it was famed for its richness. Leofric further endowed the Priory with estates in Warwickshire, Gloucestershire, Leicestershire, Northamptonshire, and Worcestershire. Their religious endowments were many, restoring, enriching, or founding houses in Much Wenlock, Worcester, Evesham, Chester, Leominster, and Stow in Lincolnshire. This last, the Priory Church of St. Mary’s Stow-in-Lindsey, is of particular interest as a significant portion of the beautiful and impressive extant church there issued from their hands. The earliest stonework in the church dates from 955; Godgyfu and Leofric greatly endowed and enriched it from 1053-55. The lofty crossing features four soaringrounded Saxon arches (which now enclose later pointed Norman arches built within the original Saxon arches). A 10th or 11th century graffito of an oared ship is scratched into the base of one of the Saxon arches, possibly a memento from a Danish raider who sailed up the nearby Trent. The north transept houses a narrow, deep Saxon doorway of honey-coloured stone, which would originally have been lime-washed and over-painted with decorative designs. It likely led to a chapel in Godgyfu’s day, and surely she passed through this very arch. To experience St. Mary’s Stow, built just ten years after the dedication of the Coventry church, is to begin to imagine what the Priory Church of St. Mary, St Osburgh, and All Saints may have been like. Leofric was a man of considerable talent and statesmanship; no man could survive forty years as Earl without these qualities. Elevated to Earl (a title and position new to the English, replacing and expanding the Anglo-Saxon ealdorman) in 1017 by the DaneCnut, he survived and thrived through Cnut’s reign. Then followed that of Harold Harefoot (1035-1040), in whose selection as successor to Cnut Leofric was instrumental. Hardacnut, Cnut’s other son, reigned next (1040-1042), and then began Edward the Confessor’s rule (1042-1066). Unsurprisingly for his age, Leofric could alternate between great rapacity and great piety, his depredations and subsequent generous benefactions upon the town of Worcester being a case in point. In 1041, when Hardacnut was king, two of his tax collectorswere murdered by an angry and over-taxed group of Worcester citizens. An act of this nature, upon the direct representatives of the king, was seen as almost an assault upon the king’s body itself. In reprisal Hardacnut ordered Leofric to lay waste to Worcester, which Leofric did with complete and horrifying efficiency, madeperhaps even more reprehensible as Worcester was the cathedral city of his own people. Afterwards (and seemingly as personal reparation) Leofric bestowed many gifts of treasure and lands upon the religious foundation there, enough to ensure that his memory would be revered and not reviled. He seems to have been successful in this. Near the end of his life Leofric experienced four religious visions which were carefully recorded by the monks at Worcester and published after his death in 1057. The Anglo-Saxon Chronicle entry for 1057 noted, "…In this same year, on 30 October, Earl Leofric passed away. He was very wise in all matters, both religious and secular, that benefited all this nation. He was buried at Coventry, and his son Ælfgar succeeded to his authority…" (G.N. Garmonsway translation) Following his death, Godgyfu made additional gifts to the religious foundation at Worcester to aid in the repose of Leofric’s soul and for the benefit of her own. These gifts included altar frontals, wall hangings, bench covers, candlesticks, and a Bible,and joined a long list of items and estates the two had granted to Worcester in the years prior to Leofric’s death. Leofric and Godgyfu had one known child, the above-mentioned Ælfgar, who died in 1062. His daughter Ealdgyth was wed briefly first to a Welsh king and following his death, to Harold Godwineson, killed by William of Normandy’s men on the field at Hastings.Thus for nine months Godgyfu was grandmother to the queen of England. Godgyfu died in 1067, the year following Hastings. At her death she was one of the four or five richest women in England with estates valued at £160 of silver. Her lands were then forfeit to new king William. Godgyfu was buried next to her husband in the Priory church in Coventry they had created. According to chronicler William of Malmesbury, her dying act was characteristically pious: as a final gift to the Priory, she ordered hung about the neck of a statueof the Virgin Mary her personal rosary of precious stones. (The church was alas, destroyed like so many others during the Reformation, the treasures looted and dispersed.) IN the first part of this essay I stated that I was convinced that Godgyfu had in fact enacted her famous ride. Now we will examine the way her ride has been remembered through the ages in poetry, prose, and visual art, and then look at why she may have performed such an extraordinary act, what it meant, and how that meaning has been perverted over time. Over the centuries the story of Godgyfu’s ride has enjoyed a life of its own. This is the oldest surviving account of it: "The Countess Godiva devoutly anxious to free the city of Coventry from a grievous and base thralldom often besought the Count, her husband, that he would for love of the Holy Trinity and the sacred Mother of God liberate it from such servitude. But he rebuked her for vainly demanding a thing so injurious to himself and forbade her to move further therein. Yet she, out of her womanly pertinacity, continued to press the matter insomuch that she obtained this answer from him: 'Ascend'; he said, 'thy horse naked and pass thus through the city from one end to the other in sight of the people and on thy return thou shalt obtain thy request.' Upon which she returned: “And should I be willing to do this, wilt thou give me leave?” “I will,” he responded. Then theCountess Godiva, beloved of God, ascended her horse, naked, loosing her long hair which clothed her entire body except her snow white legs, and having performed the journey, seen by none, returned with joy to her husband who, regarding it as a miracle, thereupon granted Coventry a Charter, confirming it with his seal." -- from the "Flores Historiarum," by Roger of Wendover (d. 1236), translated from the Latin by Matthew of Westminster c 1300-1320 Later chroniclers embellished and expanded upon the legend: "But Gaufride sayth that this gentle and good Lady did not onely for the freeing of the said Citie and satisfying of her husbands pleasure, graunt vnto her sayde Husband to ryde as aforesayde: But also called in secret manner (by such as she put speciall trust in) all those that then were Magistrates and rulers of the said Citie of Couentrie, and vttered vnto them what good will she bare vnto the sayde Citie, and how shee had moued the Erle her husband to make the same free, the which vpon such condition as is afore mencioned, the sayde Erle graunted vnto her, which the sayde Lady was well contented to doe, requiring of them... |